dontate now

Contact
Join Email List

Facebook  Become a Fan on Facebook
twitter  Follow Us on Twitter

329 West 18th Street Suite #610
Chicago, Illinois 60616
(312) 243-1808
info@chicagofilmarchives.org

Sunday, May 28, 2017 - Thursday, June 1, 2017

AIC Conference 2017

AIClogo

 

CFA’s Amy Belotti isn’t traveling far to speak at the American Institute for Conservation of Historic and Artistic Works 45th annual conference, hosted in Chicago, Illinois this year. Her session, which will be on Tuesday, May 30th at 4pm, will focus on CFA’s experiences with the Kinetta Film Scanner. The conference provides the opportunity for members of the conservation community to convene, share their latest work, and discuss the current state of the field. We’re looking forward to sharing what CFA has been up to and learning learning from an excitingly wide range of conservators!

The arrival of the Kinetta Archival Film Scanner

Amy here. I arrived at CFA two months ago to serve as Digital Collections Manager. One of the cardinal reasons I was brought onto the CFA team was to help guide a refining and expansion of the archive’s digital initiatives, with the Kinetta Archival Film Scanner being a big part of the initiative. As we awaited the arrival of the scanner, I took the time to familiarize myself with the digital collection and how it’s currently organized.

CFA’s current digital collection is largely comprised of standard definition video files that act as surrogates for access to films in the archive. Many of the files have been generated by digitizing our films with our Tobin telecine machines and processed using various video editing softwares; tools which have been integral to our client services and internal operations for years. The few high definition video files that exist in CFA’s digital collection have been acquired from vendors that have processed our preservation works, partly thanks to grants funded by the National Film Preservation Foundation (NFPF). CFA puts a huge emphasis on access, and although providing access to moving image film is the archive’s focus, providing access to films via digital media has been a crucial and realistic action for our operation. As I rifled through the archive’s various digital storage drives and digital metadata in the database, I got a clear impression that CFA was absolutely ready to formalize and intensify their digital collection holdings.

And then the Kinetta film scanner arrived. And we turned it on. And we ran a film through it that showed up so sharp on the monitor that it made us catch our breath. We were definitely not looking at a film anymore, but we were looking at a gorgeous interpretation of a film.

The Kinetta, a creation developed by Jeff Kreines, was made with an archival environment in mind. The scanner can accommodate the handling of a film in healthy condition, and it can handle a film that has been beaten up and shrunken. CFA has films that fall into both of those categories and every category in between. Jeff sat with the staff for a week to help us acclimate to the new equipment, new related softwares, and new file creation capabilities. Jeff knows film, and has made digital technology its true complement with the scanner.

jeff_scanner

Jeff at the controls

Read More »