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329 West 18th Street Suite #610
Chicago, Illinois 60616
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CFA Receives NFPF Grant to Preserve Three 35mm Films

Peoria Community Fund

 

 

 

 

 

 

 

 

 

 

 

 

CFA is happy to to share that we have been awarded a grant from the National Film Preservation Foundation to photochemically preserve three 35mm nitrate films from our Charles E. Krosse Collection. Read More »

Uncovering New Stories Through the NEH CARES Grant

Palazzolo Collection

In June 2020, CFA received generous support from a CARES grant, which was made possible by the National Endowment for the Humanities and designed to help us delve into our collections and make more stories and films accessible to the public. During this exceptionally difficult time (on so many levels), we were tasked with finding new ways to work with our collections amidst lockdowns, staggered schedules, and Zoom meet-ups due to COVID-19. The grant supported our ability to focus on the labor-intensive work of stabilizing, digitizing, and cataloguing portions of our large audiovisual collections, which contain precious footage documenting Midwestern culture and history. With help from the NEH, we were able to dedicate much-needed time to the William Franklin Grisham Collection, which documents the history of the early film industry in Chicago; the Frank Koza Collection of mid-century newsreels; the Tom Palazzolo Collection, which captures the outermost fringes of life in Chicago; and the Rhodes Patterson Collection of design, architecture and industry films. Read More »

CFA Receives Grant to Preserve 2 Films by Maurice Bailen

CFA is happy to announce that we have received a Preservation Grant from the National Film Preservation Foundation for the photochemical preservation of two films from the Maurice Bailen Collection, The City (ca. 1961) and Confrontation (ca. 1968). Both films are original 16mm work prints, and no other copies are known to exist. Maurice Bailen (1902-1980) was a Chicago-based filmmaker who is well-regarded and yet his filmic output is largely underrepresented; he remains most known for his film The Great Depression (ca. 1934), made with the Chicago chapter of the Workers Film and Photo League. Bailen’s films were devoted to capturing pivotal social movements in American history through a uniquely experimental aesthetic that was part documentary, part satire and political commentary. To learn more about his films, please visit our finding aid here.

The City
Still from The City (ca. 1961)

Confrontation
Still from Confrontation (ca. 1968)

CFA Receives NEH CARES Relief Grant

Palazzolo reels

Chicago Film Archives is proud to announce that it is the recipient of a CARES grant awarded by the National Endowment for the Humanities. The award, in the amount of $54,743, will be used to uncover the Midwest histories hidden within four varied and distinctive collections in our care. According to the National Endowment for the Humanities, the NEH received “more than 2300 eligible applications from cultural organizations, for projects between June and December, 2020. Approximately 14 percent of the applicants were funded.”

This support will allow CFA to focus on the labor-intensive task of stabilizing, cataloging and digitizing portions of four large audiovisual collections that document Midwestern culture and history: the Tom Palazzolo Collection which captures the outermost fringes of life in Chicago; the Frank Koza Collection of newsreels; the Rhodes Patterson Collection of design, architecture and industry films; and the William Franklin Grisham Collection, which documents early African-American filmmaking in Chicago and elsewhere. Read More »

CFA’s New Year Awards and Grants Roundup

The turn of the year has been full of news for CFA! Here’s a round up of the grants and awards we have received recently, which we are extremely grateful for. Lots of reasons to keep checking back in with us to see what we’re up to!

CFA and Partners Awarded “Hidden Collections” CLIR Grant

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Chicago Film ArchivesNortheast Historic Film and the Lesbian Home Movie Project are extremely pleased to announce that we have been awarded a “Hidden Collections” grant, a granting program of the Council on Library and Information Resources (CLIR) that is generously funded by The Andrew W. Mellon Foundation. This collaborative project will unleash the work of 50 women filmmakers by supporting the digitization of their works. CFA is particularly happy to increase exposure to the work of Millie Goldsholl and JoAnn Elam, two twentieth-century filmmakers who are largely unknown.

Millie Goldsholl (1920-2012) headed up the filmmaking division of the renowned Chicago design firm, Goldsholl Design and Film Associates. She attended classes at Laszlo Moholy-Nagy’s new School of Design when the New Bauhaus movement was just taking hold in Chicago. Her work is playful, political and highly innovative. The Goldsholl’s studio gave space and guidance to new experimental filmmakers such as Larry Janiak, Byron Grush and Robert Stiegler, all who have archived their work at CFA. A large portion of the personal films made by Millie will be digitized and made accessible as a result of this grant.

JoAnn Elam (1949-2009) was a champion of the small gauge film, and an experimental filmmaker as well. She, too, was highly political and at an early age made two feminist films RAPE and LIE BACK AND ENJOY IT. Both still are in distribution. Her collection of films is vast and not easily decipherable. A closer look often reveals a home movie to be subtle commentary. Many of her films depict every day events with shadings of political overtones. So, it’s unclear what is and is not a “finished” film. JoAnn died before finishing her documentary named EVERYDAY PEOPLE. In the coming years, CFA hopes to take a stab at extending her themes into unexpected places.

 

CFA Acknowledged by the Ruth Page Center for the Arts

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Chicago Film Archives, along with the Batsheva Dance Company, will receive the 2017 Ruth Page Award for significant contributions to the world of dance. This unexpected honor came to us just recently for CFA’s “dedication to preserving the legacy of Ruth Page.” With enduring trust from the Ruth Page Foundation and financial support from the Gaylord and Dorothy Donnelley Foundation and the National Endowment for the Arts, CFA spent three and a half years stabilizing, digitizing and describing this large collection of films and videos that dates from the early 1920s. Today hundreds of performances, rehearsals, home movies and dance films can be viewed streaming from CFA’s website

This award will be presented Friday, January 27th at the Harris Theater for Music and Dance after the performance of Last Work by the Batsheva Dance Company. Hope to see you there!

 

CFA Goes International!

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CFA is happy to announce we have been awarded a grant from the MacArthur Foundation International Connections Fund to produce an International Media Mixer!!

Chicago Film Archives (Chicago, IL) and Lab 80 film (Bergamo, Italy) will partner in this exciting project by exchanging digitized film footage from our respective repositories. Each organization will then commission two media artists (from our respective countries) to create new works using the partner’s footage (digitized, of course!). Upon completion of these four new silent video works (2 in Italy and 2 in the US), the partnering organizations will once again exchange the works so that two musicians/bands from the partnering country can score the new pieces.

Once completed, these four new media works will be screened in the Chicago area and in northern Italy with live accompaniment by the musicians who created the scores. Our Italian colleague, Karianne Fiorini, will be representing Lab 80 film to identify the Italian artists, curate the project, and coordinate the screenings on her side of the ocean. CFA will be doing the same in Chicago.

The goal of this project is twofold. It will allow archivists and filmmakers to explore the process and outcomes of creating culturally hybrid works of media art with archival footage. It’s a sort-of cross cultural “call and response” exercise, mixing and layering artistic audio/visual expressions that emanate from artists of two different cultures. It will also bring definition and a sense of scope to the international practice of media conservation, combining the practices of art and archiving to produce new artistic works.

Background
This project is based upon an artistic collaboration that Chicago Film Archives has sponsored locally over the last five years. CFA provides footage to three Chicago media artists to create original video works. These videos are then handed over to three local musicians, bands or audio artists who each score one of the new works. These three new fully-realized media works are then premiered at CFA’s annual Media Mixer at the Hideout. This MacArthur proposal will add an international component to the mix.