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November 27

A Look Back: Chicago Film Archives’ Media Mixer

In collaboration with Experimental Sound Studio, CFA is proud to highlight a few of our past Media Mixer pieces as part of their Quarantine Concerts series. Read More »

Location:

Twitch

Hours:

8pm

Admissions:

FREE, $5+ suggested donation
Wednesday, September 16th, 2020

2020 Media Mixer – Experimental Sound Studios’ Quarantine Series

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On September 16th, CFA will live stream the premiere of three new Media Mixer pieces in collaboration with Experimental Sound StudiosQuarantine Series. More details will be posted soon!

Read More »

Hours:

7PM

Admissions:

Suggested Donation $15 - donate here

CFA Media Mixer 2019 (in review)

We had a fantastic time at the 8th annual Media Mixer on May 9 and are absolutely thrilled with the incredible work produced by this year’s artists! Thanks to everyone who came and participated!

If you couldn’t make it (or if you want to watch the work again!), we now have two of the pieces available to stream below. Read more about the artists here.

2019’s talented lineup (video + sound):

Brian Ashby + Bill MacKay
Emily Eddy + Natalie Chami (TALsounds)
Amir George + Lilianna Zofia Wosko

Amour Pour Une Femme
Emily Eddy + Natalie Chami

Flight Logs
Brian Ashby + Bill MacKay

Thursday, May 9, 2019

2019 CFA Media Mixer!

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Come see the premiere of three new works created by Chicago-based artists using footage from the Chicago Film Archives collection!

The Media Mixer project started in 2012 as a way to open up CFA’s vault of archival footage to artists working in media, and to support the creation of a new video work by pairing these visual artists with artists working with sound. At the heart of the project is a desire to give CFA’s archival collections new life through the creative interpretation of contemporary artists. As a result, three new collaborative videos will be made using footage from the Chicago Film Archives collection.

This year’s artists are (video + sound):

Brian Ashby + Bill MacKay

Emily Eddy + Natalie Chami (TALsounds)

Amir George + Lilianna Zofia Wosko

Please join us at Constellation on May 9 for the world premiere of their collaborations - performed with live audio! Tickets are available for advance purchase here.

More on this year’s artists:

BrianAshby_headshot

Brian Ashby is a Chicago-based filmmaker, and co-founder of the documentary production company Scrappers Film Group. He recently produced and edited The Area, a five-year chronicle of displacement in a South Side neighborhood, which the Reader calls “an eye-opening saga of resistance.” He co-directed Central Standard: On Education and Scrappers, one of Roger Ebert’s Best Documentaries of 2010. His work as producer includes Hairy Who & the Chicago Imagists and Westermann: Memorial to the Idea of Man If He Was an Idea. He spends his free time browsing Chicago Film Archives’ YouTube page.

ChamiTALSounds

Natalie Chami adopted the TALsounds moniker in 2009 for her explorations in the drone, ambient, and electro-acoustic improv disciplines. In live performance, Chami’s analog synthesizers weave together into drifting loops that evolve in tandem with her vocal leads and choral harmonies. Her meditative sessions stretch into hypnotizing depths of stream-of-consciousness multi-instrumental input, sinking into expanses of infinite sustain and cresting into bursts of noise from an arsenal of oscillators and effects pedals.

After a series of tape releases on labels like Hausu Mountain and Moog’s own physical imprint, Chami released her first TALsounds LP, Love Sick, with New York’s Ba Da Bing Records. She has performed across America and Canada, and traveled to Europe in 2018 for a string of dates with Chicago composer Haley Fohr (Circuit Des Yeux). As a member of free music trio Good Willsmith, she has toured the US and released eight albums since 2012, including the LPs The Honeymoon Workbook (2014) and Things Our Bodies Used To Have (2016) on Mexico City-based label Umor Rex. Chami also performs as half of ambient duo l’eternebre and regularly collaborates in informal improv ensembles with musicians from Chicago and beyond, including frequent tour-mate Whitney Johnson (Matchess). She is Lebanese, was born in Ontario, and lives in Chicago. http://talsounds.com/

EmilyEddy_PhotobyDanielleCampbell

Photo of Emily Eddy by Danielle Campbell

Emily Eddy is a film, video, and digital media artist and curator based in Chicago. Combining many forms of moving image, her work utilizes strategies of video diaries, archival practices, and experimental documentaries. She is the Development and Marketing Manager at Video Data Bank where she is proud to promote artists’ video, and she directs the Nightingale Cinema where she has curated film, video, and media works since 2013. Emily also serves as programmer of the Onion City Experimental Film + Video Festival, a project of Chicago Filmmakers. Emily has curated screenings and exhibited work at many venues in Chicago as well as in Los Angeles, CA; Milwaukee, WI; Reykjavík, Iceland; and her hometown, Portland, OR. http://emily-eddy.com

AmirGeorge_web

Amir George is a filmmaker and curator based in Chicago. George is a programmer at True/False Film Fest and the founder of The Cinema Culture, a grassroots film programming organization, and co-founder (with curator Erin Christovale) of Black Radical Imagination, a touring experimental short film series. As an artist, George creates spiritual stories, juxtaposing sound and image into an experience of non-linear perception. George’s films have screened at institutions and film festivals including the Schomburg Center for Research in Black Culture, Institute of Contemporary Arts, London, Anthology Film Archives, Glasgow School of Art, The Museum of Contemporary Arts Detroit, Ann Arbor Film Festival, Trinidad and Tobago International Film Festival, BlackStar Film Festival, Afrikana Film Festival, and Chicago Underground Film Festival, among others. http://amirgeorge.com/aboutme

BillMacKay_PhotoMikelPatrickAvery

Photo of Bill MacKay by Mikel Patrick Avery

Bill MacKay’s blissful harmonic control and just-outside-the-box guitar mastery are one with his compelling songwriting. His creative voyage and imaginative influences are fully displayed on his Drag City debut, Esker and just released follow-up Fountain Fire, and his live performances are unmatched.

MacKay cut his teeth in various bands and projects spanning genres across the United States, and has created an extensive body of original work, while energizing the folk, avant-garde, and experimental diaspora.

His most recent records Fountain Fire (Drag City, 2019) Esker (Drag City, 2017), and SpiderBeetleBee (Drag City, 2017) his second duo set with Ryley Walker, reveal a startling range – from the folk of Appalachia, avant-rock, and blues to gospel, jazz, raga-esque excursions, and western-country modes. His records have received praise in reviews by the Chicago Reader, Mojo, The Ear, Uncut, Downbeat, Paste, Pitchfork and New City among other publications. https://billmackay.com/

Lilianna_April7

Lilianna Zofia Wosko is a Chicago based classically trained cellist with primary focus on solo and chamber music performance. Lilianna received her Masters in Music in Cello Performance from Roosevelt University Chicago College of Performing Arts Music Conservatory.

Lilianna has appeared with classical, jazz, new music and international music ensembles in the Chicago area and abroad. She has performed with the Illinois Philharmonic, The Paderewski Symphony Orchestra, and Lira Ensemble, and was a principal cellist of The New North Shore Chamber Orchestra. In her commitment to expanding her repertoire, Lilianna incorporates elements of different musical genres into her style and has been a part of Alama de Tango Ensemble, Tangata Ensemble, Tomorrow Music Orchestra, Dolce String Quartet, and Star Gate Orchestra. Often asked to perform for various cultural and music events, Lilianna has been a part of the MusicNow concert series at the Chicago’s Harris Theater for Music and Dance, The Rose of Stambul production at Chopin Theatre with Chicago Folks Operetta, Chris Preissing’s Thunder Perfect Mind production with NON:op, and has played with Borderbend Arts Collective at the Baha’i Temple as part of the “Devotions with Music” series.

Actively involved in the Chicago music community, Lilianna has worked and performed with Fred Lonberg-Holm, Frank Rosaly, Paul Giallorenzo, Matt Ulery, Mike Reed, Timothy Daisy, Joel Styzens, Eric Leonardson, Christopher Preissing, Ben LaMar, Renee Baker, Quinlan Kirchner, Kahil El Zabar, and Theaster Gates. Lilianna has recorded music for commercials at Earhole Studios, performed and recorded with Grazyna Auguscik, and released four of her own CDs: My ChristmasEdited to formEpisodes 1-12, and Lilianna Zofia Woskowww.liliannazofiawosko.com


The 2019 Media Mixer is partially supported by a grant from the Illinois Arts Council Agency.

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Location:

3111 N Western Avenue, Chicago, IL 60618

Hours:

8:30pm

CFA Media Mixer 2019: Meet this Year’s Artists

We’re so thrilled to announce the amazing lineup of artists participating in this year’s CFA Media Mixer event. Now in its eighth year (!!!), the Media Mixer has grown to be one of CFA’s most anticipated and exciting public programs. The project began in 2012 as a way to open up our vault of archival footage to Chicago-based contemporary artists, and to support the creation of a new video work by pairing visual artists with artists working with sound. At the heart of the Media Mixer is a desire to give our archival collections new life through the creative interpretation of a new generation of makers.

This year’s artists are (video + sound):

Brian Ashby + Bill MacKay

Emily Eddy + Natalie Chami (TALsounds)

Amir George + Lilianna Zofia Wosko

Please join us at Constellation on May 9 for the world premiere of their collaborations - performed with live audio!

Tickets are available for advance purchase here.

More on this year’s artists:

BrianAshby_headshot

Brian Ashby is a Chicago-based filmmaker, and co-founder of the documentary production company Scrappers Film Group. He recently produced and edited The Area, a five-year chronicle of displacement in a South Side neighborhood, which the Reader calls “an eye-opening saga of resistance.” He co-directed Central Standard: On Education and Scrappers, one of Roger Ebert’s Best Documentaries of 2010. His work as producer includes Hairy Who & the Chicago Imagists and Westermann: Memorial to the Idea of Man If He Was an Idea. He spends his free time browsing Chicago Film Archives’ YouTube page.

ChamiTALSounds

Natalie Chami adopted the TALsounds moniker in 2009 for her explorations in the drone, ambient, and electro-acoustic improv disciplines. In live performance, Chami’s analog synthesizers weave together into drifting loops that evolve in tandem with her vocal leads and choral harmonies. Her meditative sessions stretch into hypnotizing depths of stream-of-consciousness multi-instrumental input, sinking into expanses of infinite sustain and cresting into bursts of noise from an arsenal of oscillators and effects pedals.

After a series of tape releases on labels like Hausu Mountain and Moog’s own physical imprint, Chami released her first TALsounds LP, Love Sick, with New York’s Ba Da Bing Records. She has performed across America and Canada, and traveled to Europe in 2018 for a string of dates with Chicago composer Haley Fohr (Circuit Des Yeux). As a member of free music trio Good Willsmith, she has toured the US and released eight albums since 2012, including the LPs The Honeymoon Workbook (2014) and Things Our Bodies Used To Have (2016) on Mexico City-based label Umor Rex. Chami also performs as half of ambient duo l’eternebre and regularly collaborates in informal improv ensembles with musicians from Chicago and beyond, including frequent tour-mate Whitney Johnson (Matchess). She is Lebanese, was born in Ontario, and lives in Chicago. http://talsounds.com/

EmilyEddy_PhotobyDanielleCampbell

Photo of Emily Eddy by Danielle Campbell

Emily Eddy is a film, video, and digital media artist and curator based in Chicago. Combining many forms of moving image, her work utilizes strategies of video diaries, archival practices, and experimental documentaries. She is the Development and Marketing Manager at Video Data Bank where she is proud to promote artists’ video, and she directs the Nightingale Cinema where she has curated film, video, and media works since 2013. Emily also serves as programmer of the Onion City Experimental Film + Video Festival, a project of Chicago Filmmakers. Emily has curated screenings and exhibited work at many venues in Chicago as well as in Los Angeles, CA; Milwaukee, WI; Reykjavík, Iceland; and her hometown, Portland, OR. http://emily-eddy.com

AmirGeorge_web

Amir George is a filmmaker and curator based in Chicago. George is a programmer at True/False Film Fest and the founder of The Cinema Culture, a grassroots film programming organization, and co-founder (with curator Erin Christovale) of Black Radical Imagination, a touring experimental short film series. As an artist, George creates spiritual stories, juxtaposing sound and image into an experience of non-linear perception. George’s films have screened at institutions and film festivals including the Schomburg Center for Research in Black Culture, Institute of Contemporary Arts, London, Anthology Film Archives, Glasgow School of Art, The Museum of Contemporary Arts Detroit, Ann Arbor Film Festival, Trinidad and Tobago International Film Festival, BlackStar Film Festival, Afrikana Film Festival, and Chicago Underground Film Festival, among others. http://amirgeorge.com/aboutme

BillMacKay_PhotoMikelPatrickAvery

Photo of Bill MacKay by Mikel Patrick Avery

Bill MacKay’s blissful harmonic control and just-outside-the-box guitar mastery are one with his compelling songwriting. His creative voyage and imaginative influences are fully displayed on his Drag City debut, Esker, and his live performances are unmatched. MacKay cut his teeth in various bands and projects spanning genres across the United States, and has created an extensive body of original work, while energizing the folk, avant-garde, and experimental diaspora.

His most recent records Esker (Drag City, 2017), SpiderBeetleBee (Drag City, 2017) his second duo set with Ryley Walker, Altamira (Ears & Eyes, 2015) by his band Darts & Arrows, and Bill MacKay plays the songs of John Hulbert (Tompkins Square, 2015) reveal a startling range – from the folk of Appalachia, avant-rock, and blues to gospel, jazz, raga-esque excursions, and western-country modes. His records have received praise in reviews by the Chicago Reader, Mojo, The Ear, Uncut, Downbeat, Paste, Pitchfork and New City among other publications. https://billmackay.com/

Lilianna_April7

Lilianna Zofia Wosko is a Chicago based classically trained cellist with primary focus on solo and chamber music performance. Lilianna received her Masters in Music in Cello Performance from Roosevelt University Chicago College of Performing Arts Music Conservatory.

Lilianna has appeared with classical, jazz, new music and international music ensembles in the Chicago area and abroad. She has performed with the Illinois Philharmonic, The Paderewski Symphony Orchestra, and Lira Ensemble, and was a principal cellist of The New North Shore Chamber Orchestra. In her commitment to expanding her repertoire, Lilianna incorporates elements of different musical genres into her style and has been a part of Alama de Tango Ensemble, Tangata Ensemble, Tomorrow Music Orchestra, Dolce String Quartet, and Star Gate Orchestra. Often asked to perform for various cultural and music events, Lilianna has been a part of the MusicNow concert series at the Chicago’s Harris Theater for Music and Dance, The Rose of Stambul production at Chopin Theatre with Chicago Folks Operetta, Chris Preissing’s Thunder Perfect Mind production with NON:op, and has played with Borderbend Arts Collective at the Baha’i Temple as part of the “Devotions with Music” series.

Actively involved in the Chicago music community, Lilianna has worked and performed with Fred Lonberg-Holm, Frank Rosaly, Paul Giallorenzo, Matt Ulery, Mike Reed, Timothy Daisy, Joel Styzens, Eric Leonardson, Christopher Preissing, Ben LaMar, Renee Baker, Quinlan Kirchner, Kahil El Zabar, and Theaster Gates. Lilianna has recorded music for commercials at Earhole Studios, performed and recorded with Grazyna Auguscik, and released four of her own CDs: My Christmas, Edited to form, Episodes 1-12, and Lilianna Zofia Woskowww.liliannazofiawosko.com

Chicago Premiere of the International Media Mixer

The Chicago premiere of the International Media Mixer on July 17 was beyond our wildest imagination!

We couldn’t have imagined a better setting for the live performance of these stunning four works than the Jay Pritzker Pavillion. The evening was cool and clear with the lake just to the east and the glowing skyline of the city to the west. Archival images from CFA and Lab 80-Cinescatti in Italy were transformed by artists Giuseppe Boccassini, Lori Felker, Federico Francioni & Yan Cheng, and Domietta Torlasco and their sonic collaborators Alex Inglizian, Patrizia Oliva, Tomeka Reid, and Stefano Urkuma De Santis into new pieces – each of them magical, challenging, hypnotic, and deeply moving.

The project not only brought together artists working in different parts of the world to create these beautiful new films, it also drew out connections between our contemporary experience and the images that represent our history and our humanity. We already miss our Italian collaborators and friends (curator Karianne Fiorini, musicians Patrizia Oliva and Stefano Urkuma De Santis, and Gianmarco Torri) and are so thankful for the time they were able to spend with us in Chicago.

Thank you to everyone who came to the screening and to those of you who were there with us in spirit!

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Relaxing on the lawn of the Jay Pritzker Pavilion at Millennium Park.

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Our fantastic host and longtime supporter Alison Cuddy.

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Alison Cuddy and musician Stefano Urkuma De Santis.

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Stefano Urkuma De Santis performing with Parallax Dash (Domietta Torlasco & Stefano Urkuma De Santis).

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Alex Inglizian performing with Temple of Truth (Giuseppe Boccassini & Alex Inglizian).

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Musicians Tomeka Reid, Nick Mazzarella, and Patrizia Oliva performing with Octavia (Federico Francioni, Yan Cheng, Tomeka Reid).

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Filmmaker Lori Felker and musician Patrizia Oliva discuss their transcontinental collaboration.

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Patrizia Oliva performing Memoria Data (Lori Felker and Patrizia Oliva).

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DJ (and former Media Mixer artist) Latham Zearfoss ended the screening with some killer sounds set to looping images from CFA’s collections.

 

Tuesday, July 17, 2018

US Premiere of the International Media Mixer!

Video by Cerise Films / Original Track “Birdseed” by Salvatore Córdova

Chicago Film Archives is thrilled to announce the US premiere of our International Media Mixer project, which will take place on July 17 as part of the 2018 Millennium Park Summer Film Series produced by the Department of Cultural Affairs and Special Events. The project is our largest and most ambitious to date – involving nine artists working in Italy and the US – and has been almost two years in the making.

Funded by the MacArthur Foundation’s “International Connections” fund, the International Media Mixer is a cross-cultural artistic exchange in which Italian artists were commissioned to make a new film using material from CFA’s collections and Chicago-based artists using footage from a regional Italian archive, Lab 80 film - Cinescatti.

The filmmakers were asked to explore, interpret and use this material—from another culture, another country and another era—as they liked. We then paired the US-based filmmakers with Italian musicians and the Italian-based filmmakers with Chicago-based musicians to create soundtracks for the new video pieces. This resulted in a truly collaborative project that brought together artists in Italy and Chicago, as well as our two regional film archives based in Chicago and Bergamo.

We are so lucky to be working with such talented artists on this project! Read more about each of them here.

Giuseppe Boccassini (IT) + Alex Inglizian (US)
Lori Felker (US) + Patrizia Oliva (IT)
Federico Francioni & Yan Cheng (IT) + Tomeka Reid (US)
Domietta Torlasco (US) + Stefano Urkuma De Santis (IT)

This project is one of 15 artistic partnerships supported by the MacArthur Foundation’s International Connections Fund.

 

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Location:

201 E Randolph Street, Chicago IL 60601
go to map

Hours:

6:30pm

Admissions:

Free!

Italian premiere of the International Media Mixer

The Italian premiere of the International Media Mixer project on Sunday March 11, 2018 was such a powerful experience—it’s difficult to put it into words. If you aren’t familiar with the project you can read more about it here. CFA’s Media Mixer project began in 2013 as a way to inspire the creative reuse of our films by contemporary artists working in video and sound. With the generous support of the MacArthur Foundation’s International Connections Fund, this was our first international iteration of the project, and it has been an enormous success!

Video documentation courtesy of the Bergamo Film Meeting

We worked with independent curator Karianne Fiorini to invite two filmmakers based in Chicago, Lori Felker and Domietta Torlasco, to create two new videos using footage from the Lab 80 film – Cinescatti archive, and three filmmakers based in Italy, Yan Cheng & Federico Francioni and Giuseppe Boccassini, to create two new videos using footage from CFA’s archive. The filmmakers were asked to explore, use and interpret this material—from another culture, another country and another era—as they liked. We then paired the US-based filmmakers with Italian musicians and the Italian-based filmmakers with Chicago-based musicians to create soundtracks for the new video pieces. This resulted in a truly collaborative project that brought together artists in Italy and Chicago, as well as our two regional film archives based in Chicago and Bergamo. Four new videos were created by these talented artists. We are in awe of their dedication to the archival film material and their hard work, generosity, and creativity.

Sound musicians Alex Inglizian and Tomeka Reid (joined by Nick Mazzarella) travelled from the US to Italy where they met their Italian counterparts Patrizia Oliva and Stefano Urkuma De Santis for the first time. Sunday began with a lovely lunch hosted by Lab 80 film (thank you to everyone at Lab80, Sergio Visinoni & Giulia Castelletti) where we were finally all in the same room. We got to know one another in the best possible way – over a delicious meal of food from the Puglia region of Italy! After working primarily over email (and across the Atlantic Ocean), this was the first time that sound artists Alex Inglizian and Tomeka Reid met their collaborative partners Giuseppe Boccassini, Federico Francioni, and Yan Cheng. We had a lovely time and quickly moved over to the beautiful festival exhibition space, the Salla Alla Porta S. Agostino (an arched passageway built in 1781 as an armed gate for the Venetian Walls that surround Bergamo’s Cittá Alta) to sound check.

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Photo by Giancarlo Brunelli. L-R: Curator Karianne Fiorini, BFM translator, CFA curator Michelle Puetz, Giulia Casteletti (Lab 80 film – Cinescatti), Sergio Visinoni (Lab 80 film – Cinescatti & BFM), Patrizia Oliva, Stefano Urkuma De Santis, Alex Inglizian, Giuseppe Boccassini, Federico Francioni, Nick Mazzarella, Tomeka Reid, Yan Cheng.

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Photo by Giancarlo Brunelli. Entrance to the Salla Alla Porta S. Agostino and a poster for the festival’s exhibition dedicated to the work of Liv Ullmann and Ingmar Bergman.

The event began at 7:15 and, following an introduction by the team from Lab 80 film – Cinescatti, Bergamo Film Meeting festival director Angelo Signorelli, and curators Karianne Fiorini and Michelle Puetz, we moved into the screening and performance. Each piece was introduced by the artists in attendance, who provided insight into the works and their collaborative process. A heavy rain outside created a haunting atmosphere for the screening. The crowd was great, and each piece looked and sounded beautiful. The live performances by Alex Inglizian, Patrizia Oliva, Tomeka Reid (joined by Nick Mazzarella on saxophone & Federico Francioni on whirly tube!), and Stefano Urkuma De Santis were truly exceptional.

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Photo by Giancarlo Brunelli. L-R: Curator Karianne Fiorini, BFM translator, CFA curator Michelle Puetz, Giulia Casteletti (Lab 80 film – Cinescatti), Sergio Visinoni (Lab 80 film – Cinescatti & BFM).

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Photo by Giancarlo Brunelli. Patrizia Oliva performing MEMORIA DATA (Lori Felker & Patrizia Oliva, 2018, 12 min).

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Photo by Giancarlo Brunelli. Patrizia Oliva performing MEMORIA DATA.

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Photo by Giancarlo Brunelli. Stefano Urkuma De Santis performing PARALLAX DASH (Domietta Torlasco & Stefano Urkuma De Santis, 2018, 8 min).

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Photo by Giancarlo Brunelli. Tomeka Reid and Nick Mazzarella performing OCTAVIA (Federico Francioni/Yan Cheng & Tomeka Reid, 2018, 14 min).

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Photo by Giancarlo Brunelli. Tomeka Reid performing OCTAVIA.

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Photo by Giancarlo Brunelli. Alex Inglizian performing TEMPLE OF TRUTH (Giuseppe Boccassini & Alex Inglizian, 2018, 15 min).

The screening / live performance was followed by a reception (thank you, again, to Lab80 and the Bergamo Film Meeting Festival), and the artists had the chance to relax and talk with the audience.

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Photo by Giancarlo Brunelli. L-R: Tomeka Reid, Federico Francioni, Nick Mazzarella, Yan Cheng.

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Photo by Giancarlo Brunelli. L-R: Federico Francioni, Michelle Puetz, Alex Inglizian, Nick Mazzarella, Yan Cheng.

Relatives of some of the individuals featured in archival material from the Cinescatti collections were in attendance, which was not only a surprise, but incredibly moving. They were so happy to see their family memories honored and transformed through the creation of these new pieces. We ended the evening with a fantastic dinner and lots of hugs. The entire experience was incredible—thank you to our Italian colleagues, and now friends (especially Karianne Fiorini, Angelo Signorelli, Sergio Visinoni, and Giulia Casteletti) for such a memorable experience. We can’t wait to see you again this summer for the Chicago premiere on July 17!

Read more about the talented artists we are working with on this project here.

The International Media Mixer has been made possible with the generous support of the MacArthur Foundation, the Chicago Department of Cultural Affairs and Special Events, Lab 80 film – Cinescatti, and the Istituto Italiano di Cultura Chicago.


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CFA International Media Mixer 2018: Meet the Artists!

We’re so thrilled to introduce the amazing lineup of artists who are participating in our first ever CFA International Media Mixer! If you aren’t already familiar with the project, please read more about it here.

Giuseppe Boccassini (IT) + Alex Inglizian (US)
Lori Felker (US) + Patrizia Oliva (IT)
Federico Francioni & Yan Cheng (IT) + Tomeka Reid (US)

Domietta Torlasco (US) + Stefano Urkuma De Santis (IT)

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GIUSEPPE BOCCASSINI

Giuseppe Boccassini is an Italian filmmaker mainly working in Germany and Italy. He graduated in film theory at the University of Bologna and in film direction at The New University of Cinema and Television in Cinecittà (Rome). His work has been shown at several international film festivals and exhibitions, including FID Marseille (France), Torino Film Festival (Italy), FESTACURTAS BH (Brasil), Punto de Vista (Spain), Trentino History Museum (Italy). By transforming and manipulating various sources of archival material, his work reflects upon the notion of a haptic proximity of contemporary media. He considers film as “a phallic conquerer that, folding in on itself, now flaccid deus ex machina, observes itself from the inside like a lysergic membrane that slowly founders between the folds of its own material”. His most recent collaborations includes the film editing for Aldo Tambellini’s solo exibithion Black Matters, at ZKM Karlsruhe (Germany). He is one of the curators of Fracto, a new experimental film screening event at ACUD macht neu, in Berlin. http://giuseppeboccassini.com/

 

ALEX

ALEX INGLIZIAN

Alex Inglizian is a Chicago based artist, composer, musician, engineer and educator. His work explores the boundaries of noise, harmony, silence, space, performance, and improvisation. He is a graduate of The School of The Art Institute of Chicago and is currently a co-director and lead recording engineer at Experimental Sound Studio, an internationally recognized non-profit sound art organization. Alex is also a professor of sound for film studies and music technology at Northwestern University. He frequently performs among the vibrant Chicago experimental music scene and regularly collaborates with local filmmakers. Inglizian is deeply influenced by the rich history of experimental electronic music and free jazz, and continues to draw inspiration from the contemporary artists he works with professionally and creatively on a daily basis. https://soundcloud.com/soundofjoy

 

LoriFelker1

LORI FELKER

Lori Felker is a filmmaker/artist, teacher, programmer, and performer. Her films and videos attempt to study the ineloquent, oppositional, delusional, frustrating, and chaotic qualities of human interaction. Lori works in a variety of mediums and styles and has shown her work internationally at a variety of film festivals and art spaces. She lives in Chicago, loves to collaborate, and is currently an Assistant Professor at the University of Wisconsin Milwaukee and the Film/Video programmer at Roots & Culture Gallery. http://www.felkercommalori.com/

 

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PATRIZIA OLIVA

Patrizia Oliva is a singer, autor, improviser of experimental music that crosses electronics, electro-acoustic, free jazz and performing arts. Her research is aimed on a redefinition of contemporary singer. She has played with many musicians, among other with Gino Robair, Stefano Giust, Pamelia Kurstin, Edoardo Marraffa, Tommy Greenwood, Martin Mayes, Tristan Honsinger Linda Sharrock, Silvia Bolognesi, Alessandro Bosetti and many others. She has toured Italy, U.S.A, Scotland, United Kingdom, The Netherlands, France, Germany, Spain, Portugal, Switzerland, Slovenja, Croatia, Belgium, Austria and Vietnam. Some places and festivals she has played in: AngelicA (Bologna), Fondazione Mudima (Milano), Reggia Venaria (Torino), Limmitationes/Chilli Jazz Festival (Austria), Hanoi New Music Festival (Vietnam), Area Sismica (Forlì), Museum of Modern Art (Ohio, USA), Piccolo Teatro (Milano), ZDB (PT), ZXZW Festival (NL), Fusion Festival (D), The Empire Gallery Galvanised Festival (UK), Spazio O (Milano), Postgarage (AT) and more. She has recorded an impressive number of albums with several experimental labels such as Setola di Maiale, Afe Records, Sonoscopia and many more. https://patriziaoliva.wordpress.com/

 

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FEDERICO FRANCIONI & YAN CHENG

Federico Francioni (1988) graduated in 2010 with a degree in History of Cinema, discussing a thesis about Otar Iosseliani. In 2013 he’s admitted at the National Film School of Italy, the “Centro Sperimentale di Cinematografia”. In 2016 he realizes with his colleague Yan Cheng the medium documentary Tomba del Tuffatore (Tomb of the Diver), which premiered at Pesaro Film Festival. In the same year they started working on their first feature documentary, shot in China. In 2017 he attends a course at “Ateliers Varan”, and he’s currently working on a documentary feature in Paris. He’s also curator of an upcoming interview and monography about the french director Eugène Green. After studying history and anthropology in the United States, Yan Cheng (1991) took up his studies at the Centro Sperimentale di Cinematografia – the National Film School of Italy (Rome). He has realized various short films and documentaries in China, United States, and Europe. He develops an artistic practice in cinema, contemporary art, and academic research. In 2016 he realizes with Federico Francioni the medium documentary Tomb of the Diver. In the same year they started working on their first feature documentary, shot in China.

 

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TOMEKA REID

Chicago based cellist, composer and educator, Tomeka Reid has been described as “a remarkably versatile player,” (Howard Reich, Chicago Tribune). Equally adept in classical and jazz contexts, Ms. Reid predominantly finds herself in experimental and improvisatory settings and composes for a wide range of instrumentation, from big band to chamber ensemble. Ms. Reid’s music combines her love for groove along with freer concepts. Ms. Reid is an integral part of Dee Alexander’s Evolution Ensemble, Nicole Mitchell’s Black Earth Ensemble/Strings, Mike Reed’s Loose Assembly, the Association for the Advancement of Creative Musicians (AACM) Great Black Music Ensemble, and co-leads the internationally recognized string trio, Hear in Now with performances in Poznan, Poland; Paris, France; Rome, Venice, Milan, Italy; Soazza, Switzerland; and in the US: Chicago, New York and Vermont. In addition to the aforementioned ensembles, Ms. Reid performs with many of today’s forward thinking musicians in the world of jazz and creative music including Anthony Braxton, George Lewis, Roscoe Mitchell, Jeb Bishop, Myra Melford, Fred Lonberg-Holm, Mary Halvorson, Denis Fournier, Edward Wilkerson and Harrison Bankhead. Ms. Reid also leads her own trio featuring guitarist Matt Schneider and bassist Josh Abrams, for which she composes. Ms. Reid can be heard on numerous studio recordings. As a composer, Ms. Reid has been commissioned by the AACM, the Chicago Jazz Festival and the Chicago Jazz Ensemble and has had several opportunities to showcase her work abroad at festivals such as Umbria Jazz, An Insolent Noise and Vignola Jazz. She has been nominated and awarded residencies for composition with the Ragdale Foundation and the 2nd Annual Make Jazz Fellowship hosted by the 18th Street Arts Organization. Ms. Reid was selected as a 2012 participant in the Jazz Composers Orchestra Institute held at the University of California: Los Angeles. http://www.tomekareid.net/

 

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DOMIETTA TORLASCO

Domietta Torlasco is a critical theorist, filmmaker, and associate professor of Italian and comparative literature at Northwestern University. She is the author of two books: The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film (Stanford University Press, 2008) and The Heretical Archive: Digital Memory at the End of Film (University of Minnesota Press, 2013), both investigating cinema’s capacity to remember forgotten pasts and imagine alternative futures. In recent years, her research has expanded into the domain of audiovisual practice and found in the essay its most proper form. While mixing fiction and documentary, her pieces perform an inquiry into the political stakes of a series of aesthetic operations—the framing of spaces, the tracing of borders, the delimitation of enclosures (domestic or otherwise), wherein people are asked to live together. Her video essays have screened at national and international venues, including the Galerie Campagne Première in Berlin.

 

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STEFANO URKUMA DE SANTIS

URKUMA is Stefano De Santis, born in the South-east part of Italy. He began his artistic career as a playwright, and later developed his unique musical approach to translate his theatre concepts into sound. The word Urkuma is specific to the FinisTerrae part of Italy and expresses a state of mind, that is possible to compare with the opposite to the Buddhist concept of nirvana. Urkuma did releases, performances and installations in Italy, Poland, Usa, Austria, Swiss, Slovack Rep., Japan and has collaborated with a wide range of musicians. Live, Urkuma is used to play anything within his reach, including small electronic devices, clarinet, TrumpLoo, home-built instruments and tapes. https://vimeo.com/98934499

March 11, 2018

Italian Premiere of the International Media Mixer in Bergamo!

Video by Cerise Films / Original Track “Birdseed” by Salvatore Córdova

We’re thrilled to announce the Italian premiere of our International Media Mixer project in Bergamo, Italy at the Bergamo Film Meeting Festival on March 11, 2018. This very special screening will feature live audio accompaniment to four brand new commissioned videos that were made using archival footage from the collections of the Chicago Film Archives and Lab 80 filmCinescatti. We are so excited that Alex Inglizian and Tomeka Reid, accompanied by CFA’s Michelle Puetz, will meet up with their Italian collaborators for the first time for this performance in Bergamo.

We are so lucky to be working with such talented artists on this project!

Giuseppe Boccassini (IT) + Alex Inglizian (US)
Lori Felker (US) + Patrizia Oliva (IT)
Federico Francioni & Yan Cheng (IT) + Tomeka Reid (US)
Domietta Torlasco (US) + Stefano Urkuma De Santis (IT)

Mark your calendars for the US premiere, which will take place in Chicago (outdoors on a very, very big screen!) on July 17, 2018.

You can read more about the process here & visit the Bergamo Film Meeting Festival’s event listing here.

This project is one of 15 artistic partnerships supported by the MacArthur Foundation’s International Connections Fund.

 

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Location:

Sala alla Porta S.Agostino
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Hours:

7pm | ore 19

CFA Media Mixer 2017 (in review)

As 2017 comes to a close, we’re reflecting back on some of our favorite events and this year’s Media Mixer (our 6th annual) was a definite highlight! We had so much fun at the Hideout (as usual!) and this year’s videos were fantastic. They’re streaming below for you to enjoy.

2017′s talented lineup included:

Eric Fleischauer + Matchess
Samantha Hill + Haptic
Marianna Milhorat + Brian Kirkbride

More on this year’s artists here!

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eric fleischauer & Matchess

 

An Anthology of Kinship
Samantha Hill & Haptic

 

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Marianna Milhorat & Brian Kirkbride

Thursday, June 8, 2017

6th Annual CFA MEDIA MIXER FUNDRAISER

Come see the premiere of three new works created by Chicago-based artists using footage from the Chicago Film Archives collection!

The Media Mixer project started in 2012 as a way to open up CFA’s vault of archival footage to artists working in media, and to support the creation of a new video work by pairing these visual artists with artists working with sound. At the heart of the project is a desire to give CFA’s archival collections new life through the creative interpretation of contemporary artists. As a result, three new collaborative videos will be made using footage from the Chicago Film Archives collection.

This year’s artists are (videomakers listed first):

Eric Fleischauer + Matchess
Samantha Hill + Haptic
Marianna Milhorat + Brian Kirkbride

More on this year’s artists here!

The evening will be hosted by Alison Cuddy, and former media mixer artist Latham Zearfoss will be our guest DJ!

SO MANY GREAT RAFFLE PRIZES!

and more …

RAFFLE TICKETS ARE AVAILABLE FOR PRE-SALE ($5 each / 5 for $20)
CALL THE OFFICE at 312-243-1808!

All proceeds from the CFA Media Mixer go to benefit the Chicago Film Archives and our efforts to identify, preserve and provide access to the Midwest’s audio-visual heritage. The Media Mixer gives CFA fans a chance to support the efforts of both CFA and local artists at the same time!

Watch the event’s trailer below!

In case you haven’t attended in years past, you can see some of the previous projects at the links below.

http://www.chicagofilmarchives.org/news/cfa-media-mixer-2016-in-review
http://www.chicagofilmarchives.org/news/cfa-media-mixer-2015-in-review
http://www.chicagofilmarchives.org/news/cfa-media-mixer-2014-in-review
http://www.chicagofilmarchives.org/news/cfa-media-mixer-2013-in-review
http://www.chicagofilmarchives.org/news/cfa-media-mixer-in-review

 

THANK YOU TO OUR GENEROUS SPONSORS!

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Location:

1354 West Wabansia Avenue
Chicago, IL
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Hours:

8PM - 11:30PM

Admissions:

$15 (21+)
Buy tickets online

Additional Information:


Facebook Event Page

2018 International Media Mixer!

The Chicago Film Archives (Chicago, IL) and Lab 80Cinescatti (Bergamo, Italy) are thrilled to announce a new international artistic collaboration—the 2018 International Media Mixer! This project is one of 15 artistic partnerships supported by the MacArthur Foundation’s International Connections Fund.

The International Media Mixer is a cross-cultural “call and response” exchange, bringing together artists from two different countries to explore the process of creating hybrid works of media art. The project sheds new light on the international practice of media conservation and artistic creation.

Here’s how it works: Michelle Puetz, Curator of Public Programming at the Chicago Film Archives, and Karianne Fiorini, film archivist and curator associated with Lab 80 – Cinescatti, each commissioned two local video artists and two local sound artists to collaborate on the creation of four new videos using archival footage. Here is where the exchange comes in: the two filmmakers from Italy and Chicago create new works using digitized footage from the partner archive (Italian-based artists use footage from the Chicago Film Archives and Chicago-based artists use footage from Lab 80 – Cinescatti). Each new silent video is then scored by the sound artists/musicians from the partnering country. Upon completion, the four new pieces will screen in the US and in Italy with live accompaniment by the musicians who created the scores.

The artists selected for the 2018 International Media Mixer are:

Giuseppe Boccassini (IT) + Alex Inglizian (US)
Lori Felker (US) + Patrizia Oliva (IT)
Federico Francioni & Yan Cheng (IT) + Tomeka Reid (US)
Domietta Torlasco (US) + Stefano Urkuma De Santis (IT)

STAY TUNED FOR MORE UPDATES AND INFORMATION!

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Chicago Film Archives (CFA) is a regional film archive dedicated to identifying, collecting, preserving, and providing access to films that represent the Midwestern United States. CFA’s purpose is to serve institutions and filmmakers of this region and elsewhere by being a repository for institutional and private film collections; serve a variety of cultural, academic, and artistic communities by making the films available locally, nationally, and internationally for exhibition, research, and production; and serve our culture by conserving films that are rare or not in existence elsewhere.

CFA was formed in late 2003 to house, preserve and care for the Chicago Public Library’s collection of 4,500 16mm films—a collection the library could no longer keep. These films became a springboard for CFA to develop as a regional film archive committed to the acquisition, preservation, study, and exhibition of films that reflect the character and heritage of the Midwest. Since 2003, the archive has acquired over 120 collections containing approximately 27,000 films, videotapes, audiotapes, and ephemera—all donated by Midwest filmmakers, collectors, and institutions.

Laboratorio 80 is the oldest cinematographic association in Italy. Active since 1956, when it was known as the Cineforum di Bergamo, Lab 80 offers both theoretical and practical studies in cinema. In 1976, the organization became a worker cooperative and was renamed Lab 80 film. In the late 1990s, Lab 80 film added a production division, and continues to organize festivals and screenings, distribute films, operate a theater, and offer courses and workshops about cinema.

In 2010, Lab 80 initiated an archival project—Cinescatti—which is dedicated to collecting and providing access to home movies and amateur films related to the city and province of Bergamo. The Cinescatti archive consists of 3,000 home movies and amateur films shot in 16mm, 9.5mm, and 8mm between the early 1920s and the 1980s. Made by amateur filmmakers from in and around the city and province of Bergamo, the films represent a variety of cultural backgrounds and experiences. Most of the films in the Cinescatti archive have been digitized and are accessible for specific projects, research, and film production.

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CFA Media Mixer 2017: Meet this Year’s Artists

We’re so thrilled to announce the amazing lineup of artists participating in this year’s CFA Media Mixer event. Now in its sixth year (!!!), the Media Mixer has grown to be one of our most anticipated and exciting public programs. The project began in 2012 as a way to open up our vault of archival footage to Chicago-based contemporary artists and support the creation of a new video work by pairing these visual artists with local sound artists and musicians.

This year’s artists are (video + sound):

Eric Fleischauer + Matchess
Samantha Hill + Haptic
Marianna Milhorat + Brian Kirkbride

The evening will be hosted by Alison Cuddy, and former Media Mixer artist Latham Zearfoss will be our guest DJ!

At the heart of the project is a desire to give our archival collections new life through the creative interpretation of a new generation of makers. Last month our three visual artists sent in prompts and ideas for their projects, and we pooled our knowledge of CFA’s collections to load them up with source footage (including rarely seen gems and a few staff favorites!). They are just starting to work on editing their pieces and are already in conversation with the three talented and diverse audio artists they have been paired with.

On June 8 you’re all invited to the Hideout to celebrate the world premiere of their collaborations and benefit your favorite Midwest film archive! Tickets can be purchased here. It’s CFA’s Media Mixer 2017!

More on this year’s artists:

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ERIC FLEISCHAUER

Eric Fleischauer is a Chicago-based artist, curator, and educator.  Working across various mediums Fleischauer utilizes conceptually–driven production strategies in order to examine the ramifications of technology’s expansive influence on both the individual and cultural sphere.   His work has been exhibited internationally at venues including The Museum of Contemporary Art Chicago, Interstate Projects, Rooftop Films, Microscope Gallery, Hallwalls, Corcoran Gallery of Art, the Kunstmuseum Bonn – with solo exhibitions at Document, threewalls, and the Gene Siskel Film Center.  Fleischauer’s projects have received critical acclaim in publications such as in artforum.com, The Chicago Reader, The Washington Post, rhizome.org, and Afterimage. His work is in the collection of the Museum of Contemporary Photography. Currently he is an Adjunct Assistant Professor in the Department of Film, Video, and New Media at the School of the Art Institute of Chicago. http://ericfleischauer.com/

 

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MATCHESS

Matchess is the solo work of musician Whitney Johnson. The project considers the reproduction of sound and meaning through a range of historical material processes, including live tape looping, cassette sampling, and field recording. With the limited palette of a 1960s Ace Tone organ, viola, analog drum machine, stereo reel-to-reel, and voice, she crafts qa sound collage of ephemeral songs on a surface of droning ambient noise. Matchess invokes music of the past, including musique concrète, komische, and early electronic experiments, while also referencing texts of the past, including symbolist poetry, science fiction metanarrative, and her own lyrical technique of the sigil mantra. In addition to her solo work, Matchess collaborates widely in Chicago with such artists as Circuit des Yeux, Gel Set, TALsounds, and many others. http://matchess.tumblr.com/

 

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SAMANTHA HILL

Samantha Hill is a transdisciplinary artist from Chicago with an emphasis on photographic archives. She utilizes archives as source material for multi-media installation projects to connect an individual’s experience to historic developments within regional culture. Hill participated in exhibitions at the Anchorage Museum, Mary & Leigh Block Museum, Hyde Park Art Center and McColl Center for Art & Innovation. She is a recipient of International Sculpture Center Award, Rasmuson Foundation Artist Residency Program and Philadelphia Sculptors Award. Hill’s work is also featured in the book Problematizing Public Pedagogy, published by Routledge Press. Her latest endeavor, the Kinship Project, is an archive of over 150 years of African American family photographs, artifacts and ephemera ranging from 1839 to 2012. https://samanthahill.net/

 

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HAPTIC

Since 2005, Chicago-based experimentalists Haptic (Steven Hess, Joseph Clayton Mills, and Adam Sonderberg) have explored the intersection between composition and improvisation in concerts, installations, and a string of critically acclaimed recordings. They often work with filmmakers, dancers, and other artists in projects that cross traditional boundaries between music, sound, literature, visual art, performance, and everyday life. http://entracte.co.uk/haptic

 

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MARIANNA MILHORAT

Marianna Milhorat is a Chicago-based filmmaker, originating from Vermont, USA. She received her MFA from the University of Illinois-Chicago in 2012 and BFA from the Mel Hoppenheim School of Cinéma at Concordia University in 2007. Working in film and video, she utilizes landscape and duration to disrupt and transform notions of space and perspective. Milhorat’s work has screened internationally at festivals and galleries, including the International Film Festival Rotterdam, the Ann Arbor Film Festival, and the Museum of Contemporary Art- Chicago. Her work has received awards at festivals including the Images Festival, EXIS (Ex-Now), and the Chicago Underground Film Festival. http://mariannamilhorat.com/

 

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BRIAN KIRKBRIDE

Brian Kirkbride is a musician, sound artist, and software developer whose cross-disciplinary practice integrates field recordings, synthesizers and found sound through conceptually-driven processing. Inspired as much by the marvels of the natural world as the underbelly of the human one, his work has generated the sounds of birdsong from photographs of ferns and drowned excerpts of post-World War II travelogues under waves of overdriven 80s pop melodies. He was delighted to learn that “cat ghost revenge story” represents an entire genre of Japanese film. With his partner, artist Jenny Kendler, Kirkbride has collaborated on several large-scale sound art and data-driven projects, which have been exhibited at the Museum of Contemporary Art Chicago, EXPO Chicago, the Lincoln Park Conservatory for Experimental Sound Studio and at Millennium Park for the Arts Club of Chicago and Art Institute of Chicago. Kirkbride founded the artist website service OtherPeoplesPixels and co-founded the OPPfund, which supports the arts, social justice and environmental preservation. He occupies a leadership role in ClimateMirror, an effort to protect at-risk climate data from an anti-science administration, and is currently working on a collaborative art + tech project centered around this work. http://internalsummer.com/home.html

 

We hope to see you on Thursday, June 8th at the Hideout! Please check out our event page for more information about the event, raffle prizes, and to purchase tickets!

 

CFA’s New Year Awards and Grants Roundup

The turn of the year has been full of news for CFA! Here’s a round up of the grants and awards we have received recently, which we are extremely grateful for. Lots of reasons to keep checking back in with us to see what we’re up to!

CFA and Partners Awarded “Hidden Collections” CLIR Grant

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Chicago Film ArchivesNortheast Historic Film and the Lesbian Home Movie Project are extremely pleased to announce that we have been awarded a “Hidden Collections” grant, a granting program of the Council on Library and Information Resources (CLIR) that is generously funded by The Andrew W. Mellon Foundation. This collaborative project will unleash the work of 50 women filmmakers by supporting the digitization of their works. CFA is particularly happy to increase exposure to the work of Millie Goldsholl and JoAnn Elam, two twentieth-century filmmakers who are largely unknown.

Millie Goldsholl (1920-2012) headed up the filmmaking division of the renowned Chicago design firm, Goldsholl Design and Film Associates. She attended classes at Laszlo Moholy-Nagy’s new School of Design when the New Bauhaus movement was just taking hold in Chicago. Her work is playful, political and highly innovative. The Goldsholl’s studio gave space and guidance to new experimental filmmakers such as Larry Janiak, Byron Grush and Robert Stiegler, all who have archived their work at CFA. A large portion of the personal films made by Millie will be digitized and made accessible as a result of this grant.

JoAnn Elam (1949-2009) was a champion of the small gauge film, and an experimental filmmaker as well. She, too, was highly political and at an early age made two feminist films RAPE and LIE BACK AND ENJOY IT. Both still are in distribution. Her collection of films is vast and not easily decipherable. A closer look often reveals a home movie to be subtle commentary. Many of her films depict every day events with shadings of political overtones. So, it’s unclear what is and is not a “finished” film. JoAnn died before finishing her documentary named EVERYDAY PEOPLE. In the coming years, CFA hopes to take a stab at extending her themes into unexpected places.

 

CFA Acknowledged by the Ruth Page Center for the Arts

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Chicago Film Archives, along with the Batsheva Dance Company, will receive the 2017 Ruth Page Award for significant contributions to the world of dance. This unexpected honor came to us just recently for CFA’s “dedication to preserving the legacy of Ruth Page.” With enduring trust from the Ruth Page Foundation and financial support from the Gaylord and Dorothy Donnelley Foundation and the National Endowment for the Arts, CFA spent three and a half years stabilizing, digitizing and describing this large collection of films and videos that dates from the early 1920s. Today hundreds of performances, rehearsals, home movies and dance films can be viewed streaming from CFA’s website

This award will be presented Friday, January 27th at the Harris Theater for Music and Dance after the performance of Last Work by the Batsheva Dance Company. Hope to see you there!

 

CFA Goes International!

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CFA is happy to announce we have been awarded a grant from the MacArthur Foundation International Connections Fund to produce an International Media Mixer!!

Chicago Film Archives (Chicago, IL) and Lab 80 film (Bergamo, Italy) will partner in this exciting project by exchanging digitized film footage from our respective repositories. Each organization will then commission two media artists (from our respective countries) to create new works using the partner’s footage (digitized, of course!). Upon completion of these four new silent video works (2 in Italy and 2 in the US), the partnering organizations will once again exchange the works so that two musicians/bands from the partnering country can score the new pieces.

Once completed, these four new media works will be screened in the Chicago area and in northern Italy with live accompaniment by the musicians who created the scores. Our Italian colleague, Karianne Fiorini, will be representing Lab 80 film to identify the Italian artists, curate the project, and coordinate the screenings on her side of the ocean. CFA will be doing the same in Chicago.

The goal of this project is twofold. It will allow archivists and filmmakers to explore the process and outcomes of creating culturally hybrid works of media art with archival footage. It’s a sort-of cross cultural “call and response” exercise, mixing and layering artistic audio/visual expressions that emanate from artists of two different cultures. It will also bring definition and a sense of scope to the international practice of media conservation, combining the practices of art and archiving to produce new artistic works.

Background
This project is based upon an artistic collaboration that Chicago Film Archives has sponsored locally over the last five years. CFA provides footage to three Chicago media artists to create original video works. These videos are then handed over to three local musicians, bands or audio artists who each score one of the new works. These three new fully-realized media works are then premiered at CFA’s annual Media Mixer at the Hideout. This MacArthur proposal will add an international component to the mix.