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Identifier: F.2004-02-0036
The Charles Dee Sharp collection consists of five 16mm films, including a short Christmas themed narrative film, two promotional films for the Illinois Institute of Technology and two short documentary films, one about a Kibbutz in Israel titled The Kibbutz, and another about Russia after Stalin, titled The Iron Curtain Lands: The Post-Stalin Period. All films are Cameras International productions. All films are written and directed by Charles Dee Sharp, except for Symbolic Control, which is written and directed by David A. Tapper for the IIT.
The David Szabo Collection is mainly comprised of films and ephemera from David Szabo's time as a student at Columbia College in the late 1960s and his time as a freelance editor and partner of the Szabo-Tohtz editing company in the 1970s and 1980s. Included are distributed prints that are unclear as to Szabo's involvement, 16mm films and intermediate materials Szabo worked on during his time at Columbia College, advertisements he worked on as an editor in the 1970s and 1980s, and 8mm home movies dating from 1948-1963.
LORD THING (DeWitt Beall, 1970)
This collection of films was made by filmmaker DeWitt Beall in Chicago during the 1960s. A large portion of the collection consists of elements and prints related to LORD THING, a film about a Chicago-based gang named the Conservative Vice Lords. The film was never released, but won an award at the Venice Film Festival in 1971. Various other educational films, documentaries and PSAs are in this collection, including the EARTHKEEPING series which aired on PBS in the early 1970s.
Identifier: F.2012-03-1660
Morton & Millie Goldsholl ran Goldsholl Design & Film Associates, one of Chicago’s leading graphic design studios in the 1950s through 1970s. The studio became recognized for their animations, progressive hiring practices and developing corporate branding packages for various companies. Their collection, donated to CFA in 2006 and 2010, contains commercials and industrial films that Goldsholl Associates made for their clients, experimental films and animations made by both Morton and Millie, unedited travel films shot by Morton and Millie and films (primarily animated) that the two collected over the years.
Identifier: F.2010-02-0119
Spanning 5 decades and a wide range of subjects and styles, the Rhodes Patterson Collection documents the rapidly developing city of Chicago during the mid-century and the fascinating life of Rhodes Patterson, a designer, cinematographer, photographer and writer. Patterson’s diverse subject matter and style reflect the interconnected communities of industrial and graphic design, commercial and industrial film production, fine art, and architecture in Chicago during this period. Whether made “just for fun,” as documentation, or for commercial purposes, Patterson’s films reflect his humor, interest in art and design, imagination and creativity. The collection includes footage of Mae West from 1938; numerous films Patterson shot while stationed as a WWII reconnaissance photographer on the Island of Tinian; the construction of the Marina City Towers, Playboy building and various skyscrapers in Chicago; films made during the early development of the Aspen Institute; commercial footage shot while Patterson was working at the Container Corporation of America; documentation of the construction of the Playboy West complex and grotto; early Playboy footage and burlesque films; footage of Lincoln Park, Lake Michigan and people on the streets of Chicago; and various home movies, commercial projects, and amateur and personal films.
SERIES I of the Mort & Millie Goldsholl contains 16mm industrial films made by Goldsholl Design & Film Associates for various clients. The dates of these films range from the 1950's to early 1980's, with the majority being made in the 1960's and 1970's. Each distinct title from this series is available for online streaming.
Identifier: F.2010-02-0164