The Byron Grush Collection contains experimental and animation films made by Chicago filmmaker and animator, Byron Grush. Byron has ties to numerous local universities and organizations including the School of the Art Institute of Chicago, Chicago Academy of Fine Art, Goldsholl Design Associates, and Center Cinema Coop. This collection’s experimental films consist of hand drawn animated works and abstract short films, made primarily between the years 1961 and 1976. Films by other local filmmakers and artists are included in this collection. Also found in this collection are: an original drawing from Byron's film Why We Fight, a signed copy of The Shoestring Animator, newspaper clippings of Byron’s work, and other ephemera.

The Camille Cook Collection consists of outtakes, work prints, original negatives, collected films, home movies, and edited diary films of the experimental and personal work of Camille Cook, filmmaker and founder of The Film Center of the School of the Art Institute of Chicago (now The Gene Siskel Film Center). The films depict various aspects of Cook’s life in Chicago throughout the mid 1960s, ranging from images of city street life to moments with her friends and family in Western Springs, IL, as well as her experiments in structural filmmaking.

The Chuck Olin Collection is comprised of films, videotapes and ephemera made by Chuck Olin from his work at two Chicago area film production companies from the mid-60s to the late 1990s: first with the Film Group/Mike Gray Associates and after 1974 with his own Chuck Olin Associates. Included are political documentaries made by the Film Group on the 1968 Democratic National Convention; television commercials for a variety of clients including Sears, Blue Cross Blue Shield, and politicians running for election; sponsored films for the Art Institute of Chicago, the National Medical Association, and Eli Lilly; educational films for Encyclopaedia Britannica; and a documentary by Olin on the Jewish Brigade in World War II.

In 2008, three experimental films made by Chicago-based filmmaker Don Klugman were preserved with the support of the National Film Preservation Foundation in 2008. NIGHTSONG is a portrait of the Chicago Near-North nightlife scene in the mid-1960s, centering on the struggles and romantic desires of an African American singer played by long-forgotten folk sensation, Willie Wright. I'VE GOT THIS PROBLEM traces the romantic relationship between a young man and woman (played by Klugman and Judy Harris) who meet in a downtown coffee shop. Their nonstop dialogue fluctuates between playful psycho-babble and sincere attempts to relay their innermost feelings. YOU'RE PUTTING ME ON seems to pick up the same couple (again played by Klugman and Harris) a few years later, as they attend a swinging bohemian party where they pilfer personal objects from the unsuspecting guests. The archival materials created from these three Klugman films comprise the Don Klugman Collection.