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March 15, 2018

2007 Interview with Millie Goldsholl

On April 20, 2007, Chicago Film Archives Executive Director Nancy Watrous interviewed Millie Goldsholl, filmmaker and designer, at her home in Highland Park, Illinois. The following edited excerpts feature Millie describing her earliest work at the School of Design (now the IIT Institute of Design) in Chicago, where she studied under Hungarian-born artist László Moholy-Nagy. Millie passed away in 2012 at the age of 92.

March 7, 2018

CFA International Media Mixer 2018: Meet the Artists!

We’re so thrilled to introduce the amazing lineup of artists who are participating in our first ever CFA International Media Mixer! If you aren’t already familiar with the project, please read more about it here.

Giuseppe Boccassini (IT) + Alex Inglizian (US)
Lori Felker (US) + Patrizia Oliva (IT)
Federico Francioni & Yan Cheng (IT) + Tomeka Reid (US)

Domietta Torlasco (US) + Stefano Urkuma De Santis (IT)

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March 2, 2018

Inspecting Millie Goldsholl’s Personal Reels

By Olivia Babler

Since joining Chicago Film Archives as a transfer technician last October, one of my main long-term projects has consisted of inspecting, stabilizing and digitizing films from the Mort & Millie Goldsholl Collection as part of the “Woman Behind the Camera” project. While the couple are best known for their mid-century graphic design and advertising campaigns with Chicago-based Goldsholl Design & Film Associates, this grant has enabled CFA to spend more time focusing on the home movies and travel footage Millie Goldsholl (1920–2012) shot across the U.S., Japan, Africa and Europe in the 1950s, ‘60s and ‘70s.

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Label taped to an otherwise untitled reel in the Mort & Millie Goldsholl Collection

Our first step towards making Millie’s films accessible was to complete inspection of the vast collection, which was donated to CFA in 2006 and 2010. Just last week, the CFA team wrapped up inspecting all 322 16mm films in our Goldsholl collection. In addition to completing condition reports and collecting metadata for each film, we also prepared the films for digitization by attaching fresh leader, measuring shrinkage, and testing the resilience of splices. While there was the occasional unpleasant surprise (Mold! Masking tape splices! Vinegar syndrome! Indecipherable handwriting!), we were delighted to find that almost all of Millie’s films have maintained their vibrant colors (thanks, Kodachrome!) and had not shrunken too much to be transferred on our Tobin telecine. As we inspected, we came across stunning footage and lovely family moments that we are excited to share in the coming months.

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