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March 28, 2016

CFA Media Mixer 2016: Meet this Year’s Artists

Our annual video remix benefit is BACK this year with yet another amazing lineup of artists working together to create new video works out of digitized items in our vault. Right now, three extraordinary filmmakers are loading up with massive amounts of footage culled from the deepest corners of our collections – including some rare, little-seen gems and a few staff favorites – which they’ll edit, re-interpret, transform, and kick over to three of Chicago’s most imaginative musicians to score. Then, come June 9, you’re all invited to the Hideout to celebrate the world premiere of their collaborations, along with raffle prizes, auctions, and more. It’s CFA’s Media Mixer 2016!

This year’s artists (filmmakers listed first, followed by musician(s)) include:

Melika Bass + Coppice
jonCates + Jeff Kolar
Andrew Mausert-Mooney + Bobby Conn

More on this year’s artists…

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March 11, 2016

The arrival of the Kinetta Archival Film Scanner

Amy here. I arrived at CFA two months ago to serve as Digital Collections Manager. One of the cardinal reasons I was brought onto the CFA team was to help guide a refining and expansion of the archive’s digital initiatives, with the Kinetta Archival Film Scanner being a big part of the initiative. As we awaited the arrival of the scanner, I took the time to familiarize myself with the digital collection and how it’s currently organized.

CFA’s current digital collection is largely comprised of standard definition video files that act as surrogates for access to films in the archive. Many of the files have been generated by digitizing our films with our Tobin telecine machines and processed using various video editing softwares; tools which have been integral to our client services and internal operations for years. The few high definition video files that exist in CFA’s digital collection have been acquired from vendors that have processed our preservation works, partly thanks to grants funded by the National Film Preservation Foundation (NFPF). CFA puts a huge emphasis on access, and although providing access to moving image film is the archive’s focus, providing access to films via digital media has been a crucial and realistic action for our operation. As I rifled through the archive’s various digital storage drives and digital metadata in the database, I got a clear impression that CFA was absolutely ready to formalize and intensify their digital collection holdings.

And then the Kinetta film scanner arrived. And we turned it on. And we ran a film through it that showed up so sharp on the monitor that it made us catch our breath. We were definitely not looking at a film anymore, but we were looking at a gorgeous interpretation of a film.

The Kinetta, a creation developed by Jeff Kreines, was made with an archival environment in mind. The scanner can accommodate the handling of a film in healthy condition, and it can handle a film that has been beaten up and shrunken. CFA has films that fall into both of those categories and every category in between. Jeff sat with the staff for a week to help us acclimate to the new equipment, new related softwares, and new file creation capabilities. Jeff knows film, and has made digital technology its true complement with the scanner.

jeff_scanner

Jeff at the controls

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