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329 West 18th Street Suite #610
Chicago, Illinois 60616
(312) 243-1808
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February 25, 2014

CFA Media Mixer 2014: Meet this Year’s Artists

It’s hard to believe that our little toddler of a fundraiser, CFA MEDIA MIXER, turns three this year (right?!). At the heart of each year’s event is the premiere of 3 video collaborations made entirely with footage from CFA. More specifically, we ask three artists and three musicians to team up with one another to create and score a short film using digitized footage from our vault. We then screen each pairing’s finished film (sound & image) at the Hide Out as part of our annual fundraiser.

We’re already hard at work organizing this year’s MEDIA MIXER (Thursday, June 19th at the Hideout). In fact, just last week we confirmed this year’s CRAZY TALENTED line up of artist pairings, and we’re delighted to share them with you (filmmakers listed first, followed by musicians):

Lori Felker AND Cheer-Accident
Deborah Stratman AND Olivia Block 
Latham Zearfoss AND Bastardgeist 
More on this year’s artists…

Read More »

February 11, 2014

LORD THING Restoration Complete

Reel 1 & 2 of the new restoration print of LORD THING

We recently received the 16mm restoration print of LORD THING, and boy is it beautiful! DeWitt Beall’s LORD THING (1970) is a film that documents the Conservative Vice Lords of Chicago’s near-west side and dozens of small neighborhood gangs from different parts of the city, that in time, unite forces in a common cause. Only a muddy VHS copy of the film had been circulating until CFA recently discovered 16mm prints & original elements in storage and under the care of Beall’s widow (these prints & elements now reside within CFA’s Dewitt Beall Collection). Thanks to a 2012 grant from the National Film Preservation Foundation, CFA was able to create a new restoration print from original production elements.

Maryland based Colorlab did an exquisite job creating the two reels of LORD THING from original A/B Rolls and a master 16mm magnetic track. We’re especially impressed by the improved audio quality, which is significantly richer in comparison to our existing composite prints (meaning, prints with synced imaged and sound) of LORD THING currently stored at CFA.

Interested further in the restoration process of LORD THING? Read on!

Inspection bench detail of the new restoration print of LORD THING

We were really lucky to have original production elements (A/B Rolls, Mag Tracks, etc) to create a new composite print of LORD THING. A lot of the times with restoration projects, we’re left having to make a new print from an original or master positive print (no complaints! It’s just not an ideal scenario since it often leads to some degradation of image and sound). Having original elements allowed Colorlab to produce a print comparable or perhaps even better to the original composite prints struck by Dewitt Beall & co in the early 1970′s.

We were also fortunate to have three composite prints on hand for reference during the restoration process of LORD THING. The tricky issue with these prints, though, is that we began this process with two complete copies of LORD THING (Version 1), and only 1 copy of LORD THING (Version 2), which happens to have French subtitles. In others words, there was no composite print of Version 2 without subtitles (CFA considers Version 2 of LORD THING to be the more complete as well as final version of the film). This restoration project has remedied this tricky situation, giving us (a universal “us”) a presentable preservation print of Version 2 (without subtitles) for the first time! Be on the lookout for a restoration premiere sometime this fall – we’ll be sure to keep you posted! We recommend joining our mailing list if you don’t want to miss out.